Bryson DeChambeau is a lot of the things, but after two trainwreck performances at the Masters and the PGA Championship, he’s turning the page, and his latest chapter is unfortunately his most predictable yet.
In the wake of the Englishman’s three-shot victory at the PGA Championship, old BBC news clips of Rai from his early days have surfaced showcasing his early interest in the game and the talent that would help fuel him to become a major champion.
We’ve known unofficially for several weeks now, but overnight it became rubber-stamped by the United States Golf Association: Adam Scott is officially part of the 2026 US Open field and will therefore tee it up in his 100th consecutive major championship from June 18-21.
At tournaments of this magnitude, the temptation is to project, to extrapolate, to chart the arc of what comes next. At 31, Rai has time on his side, a long runway ahead. But what makes his story worth sitting with isn’t that he’s here, but the route he took.
With a second victory in her 19th career start, Woad is the fastest player to reach two LPGA titles since Sung Hyun Park won twice in her first 16 appearances, in 2017.
For months, questions had swirled around whether Smith would ever return to being a genuine factor in the majors again. At Aronimink, he provided an encouraging answer.
The agreement represents one of the largest commercial partnerships in Australian golf history, connecting Capital.com with both the country’s premier championship, the club members and GA Handicap holders that underpin the game.
Remarkably, after starting the day two strokes down before he ever made a swing, Higgo played brilliant golf, finishing at “one-under”, which belongs in quotes because without the penalty, he’d be tied for the lead at three-under.
According to Cam’s dad, David, it all started when Young watched a video of his 3-year-old son’s golf swing and saw, reflected within it, a feeling he recalled from his own youth.
Aronimink’s history poses a philosophical question for architects and old clubs: should designers honour and resurrect the course that the original architects drew, or are they better off restoring the features that were actually built?